Photo: A movie stub from the film "Inglourious Basterds"/Paul Heaberlin, used under Creative Commons licenseSaturday, March 6, 2010 2:13 PM MDT
Quentin Tarantino's much-ballyhooed film Inglourious Basterds is a film which reflects the decade of 2000-2010 better than any other. That is one of the reasons I didn't like this film as much as many critics did. It reminded me too much of a decade I would just as soon forget.
It was a decade in which the horrible 9/11 attacks happened, and that was one of the worst days of my life. It was a decade in which it was revealed the United States government condoned practices which resulted in kidnapping, murder and torture. The decade in which America screwed up its best chance to catch Osama Bin Laden in Afghanistan and wasted trillions of dollars and thousands of lives in a misbegotten war in Iraq. It was a decade in which the housing bubble burst and the entire world's economy nearly toppled because strange financial dealings in things called credit default swaps and derivatives, allowed by recent banking deregulation, overturning rules put in place after the great depression 60 years earlier. It was decade in which the U.S. government went from a budget surplus into deep debt. A near depression was caused by deficit spending, financial deregulation, wars and tax cuts. Naturally, some politicians now propose more war, more tax cuts and more deregulation to get us out of the mess they got us into in the first place.
“Inglourious Basterds” fits right into this decade. It shows us that murdering and torturing prisoners of war is not only fun, but it is an effective way to get information and win wars. Either that, or it is a clever satire on what U.S. forces did to prisoners in Iraq and Afghanistan. It also re-writes history, showing us a version of World War II in which the Allies win the war years before they really did by the clever tactic of murdering prisoners of war, civilians, and torture. They also win with the help of a high-ranking German officer who betrays his own leaders.
This is not the only time history has been re-written. There are those who say the U.S. would have won the war in Vietnam, if not for the American news media. This has led to increasingly strict military control over the media in subsequent wars. There are also those who say that the depression of the 1930s and the current recession would (or will) go away on their own without any government intervention. They say that deregulation and tax cuts did not cause the collapse of our financial system, or the huge deficits we face and it would all just fix itself, because that is the way capitalism works. It fixes everything by itself in its own magical mysterious ways, including, presumably, health care. It's like Stevie Wonder once sang, “When you believe in things you don't understand ... ” that's just superstition.
History is continually being re-written. If history is, in fact, merely an “agreed-upon fiction,” then Mr. Tarantino's account of World War II is as good as any other, and some do view history that way. However, that isn't what happened. The war went on for years after the time in which the movie was set. The United States did not sanction the death and torture of prisoners of war. They had rules against that, and those rules stayed in effect until the administration of George W. Bush re-wrote the rules in an attempt to legalize torture. This was done despite the fact that torture is known to produce unreliable, sometimes disastrously wrong, information. So why was it done? More on that in the subsequent feature on the representative drama of the decade.
“Inglourious Basterds” not only celebrates American torture and murder, it is a nightmare for the Anti-Defamation League and other organizations trying to hold down the rising tide of anti-Semitism in America and elsewhere. In re-writing history, “Inglourious Basterds” casts Jews in the role of aggressors, as well as victims. This depiction of Jewish aggression aids the rising tide of anti-Semitism both here and abroad. The film reflects the view of Jews held by many in the Muslim world. The film has also been seized upon by anti-Semitic factions on both extremes of the political spectrum to further stir up more hatred against the Jews. When I remarked to a friend that I didn't like the fact that “Inglourious Basterds” makes Americans look worse than the Nazis, my friend replied, “Those weren't Americans, those were Jews.”
The anti-Semitic interpretation of the film fits right in with certain Neo-Nazi views about Jews, fueled by the so-called “Christian Identity” theology (more on that in this essay about the Christian Identity movement and how it has been adopted by elements of the violent radical far right). It also fits in with views of Jews among some elements of the far left wing, the so-called “9/11 Truthers” who hold that the attacks of 9/11 were an “inside job” by the U.S. Government, aided or orchestrated by Israel. Like the film itself, this is a re-imagining of history, which is becoming increasingly popular. Abraham H. Foxman, president of the Anti-Defamation League, said 2009 was the worst year for global anti-Semitism he's ever seen in his 40+ years in the organization. Here is further deconstruction of the film along anti-Semitic lines. This is not how I viewed the film when I saw it, but it seems to be a film which lends itself to this interpretation for those who are anti-Semitic.
When America was attacked on 9/11, Americans wanted revenge, and the nation lashed out. People who looked like Muslims (including a Sikh) were murdered by revenge seekers. “Inglourious Basterds” is a movie all about hatred and revenge. One woman in the movie locks an entire crowd of moviegoers into a theater and then sets fire to the theater in revenge for the Nazis killing her family. The squad of soldiers in the film, composed mostly of American Jews, with one anti-Nazi German soldier added, celebrate revenge by killing Germans, scalping the corpses and bashing German soldiers' heads in with a baseball bat and carving swastikas into their foreheads.
Revenge movies are nothing new. There is the “Death Wish” series of films, the “Dirty Harry” series, and more recently, there was “Taken.” People are angry in this country. When President Obama was elected, there was a huge increase in gun sales. The membership in hate groups increased greatly as well. The “Tea Party” movement is brimming with hatred. There are lots of angry people who want revenge and “Inglourious Basterds” dishes it out. The aught years, 2000 through 2009, were dark years in America and this film reflects that darkness.
Robert Roten is a journalist with over 25 years of newspaper experience, including 20 years as a reporter, editor, photographer, columnist and editorialist at the Laramie Daily Boomerang. Since retiring from the Boomerang in 2000, Roten has been president of the Laramie Film Society and the Laramie Astronomical Society and Space Observers (LASSO). He has operated his own movie journalism web site, Laramie Movie Scope, for the past 13 years. He also has a weekly movie show, Laramie Movie Scope News, on KOCA radio in Laramie. He is also a member of the Online Film Critics Society and contributes frequent movie reviews to rottentomatoes.com. He is a former member of the Society of Professional Journalists and the Society of Environmental Journalists. Roten is a resident of Laramie, Wyo.
